Let us not talk philosophy, drop it, Jeanne.
So many words, so much paper, who can stand it.
I told you the truth about my distancing myself.
I've stopped worrying about my misshapen life.
It was no better and no worse than the usual human tragedies.
For over thirty years we have been waging our dispute
As we do now, on the island under the skies of the tropics.
We flee a downpour, in an instant the bright sun again,
And I grow dumb, dazzled by the emerald essence of the leaves.
We submerge in foam at the line of the surf,
We swim far, to where the horizon is a tangle of banana bush,
With little windmills of palms.
And I am under accusation: That I am not up to my oeuvre,
That I do not demand enough from myself,
As I could have learned from Karl Jaspers,
That my scorn for the opinions of this age grows slack.
I roll on a wave and look at white clouds.
You are right, Jeanne, I don't know how to care about the salvation of my soul.
Some are called, others manage as well as they can.
I accept it, what has befallen me is just.
I don't pretend to the dignity of a wise old age.
Untranslatable into words, I chose my home in what is now,
In things of this world, which exist and, for that reason, delight us:
Nakedness of women on the beach, coppery cones of their breasts,
Hibiscus, alamanda, a red lily, devouring
With my eyes, lips, tongue, the guava juice, the juice of la prune de Cythère,
Rum with ice and syrup, lianas-orchids
In a rain forest, where trees stand on the stilts of their roots.
Death, you say, mine and yours, closer and closer,
We suffered and this poor earth was not enough.
The purple-black earth of vegetable gardens
Will be here, either looked at or not.
The sea, as today, will breathe from its depths.
Growing small, I disappear in the immense, more and more free.
Guadeloupe
So many words, so much paper, who can stand it.
I told you the truth about my distancing myself.
I've stopped worrying about my misshapen life.
It was no better and no worse than the usual human tragedies.
For over thirty years we have been waging our dispute
As we do now, on the island under the skies of the tropics.
We flee a downpour, in an instant the bright sun again,
And I grow dumb, dazzled by the emerald essence of the leaves.
We submerge in foam at the line of the surf,
We swim far, to where the horizon is a tangle of banana bush,
With little windmills of palms.
And I am under accusation: That I am not up to my oeuvre,
That I do not demand enough from myself,
As I could have learned from Karl Jaspers,
That my scorn for the opinions of this age grows slack.
I roll on a wave and look at white clouds.
You are right, Jeanne, I don't know how to care about the salvation of my soul.
Some are called, others manage as well as they can.
I accept it, what has befallen me is just.
I don't pretend to the dignity of a wise old age.
Untranslatable into words, I chose my home in what is now,
In things of this world, which exist and, for that reason, delight us:
Nakedness of women on the beach, coppery cones of their breasts,
Hibiscus, alamanda, a red lily, devouring
With my eyes, lips, tongue, the guava juice, the juice of la prune de Cythère,
Rum with ice and syrup, lianas-orchids
In a rain forest, where trees stand on the stilts of their roots.
Death, you say, mine and yours, closer and closer,
We suffered and this poor earth was not enough.
The purple-black earth of vegetable gardens
Will be here, either looked at or not.
The sea, as today, will breathe from its depths.
Growing small, I disappear in the immense, more and more free.
Guadeloupe
- Mood:
moody

Comments
Lite, fluffy, chick fest w/o a lot of gooery love stuff.
Turns out there is more going on in the imagery than one might think. Besides the sons of the Romans(oh yeah, the workmen are Polish) and architecture and scenery up the whazoo. Diane Lane isn't looking too shabby either by the end.
In her lonely quest for wtf, the herione meets a women who personifies "La Dulce Vita". Sort of. She had met Fellini as a young girl, was taken under his wing and maybe more. Now as a much older woman, she is still living "the life". But what does that really mean. Chris bought me La Dulce Vita for Xmas and we watched it. Chris had a lot of trouble watching it. I had a little less as I like movies about LIFE and people interacting. Still, the point wasn't dished up in a tidy package. It was murky and a tad troublesome.
So what is this woman extolling by wearing outfits of the woman in the La Dulce and caring on with various men? And of course taking a dip in the Trevi Fountain. A magnificent structure. Has to be seen in person and both in daylight and in evening light. We only saw it during the day. I assume it is illuminated at night somehow. She eats ice cream with abandon, holds a baby chick to her cheek. All in a different contect in the original movie. But hat are we being told or to get out of it in this new and different look at life?
So I'm stumbling today and find a site for Milosz. He was a Polish writer/poet. In Under, the work guy who was a literature professor, cariies around a book of the guy's poems where ever he goes. So since this site comes up, I check out one peom. Just one. hardly a sampling but it resonates. I don't know who Jeanne is and I don't know the nature of the conversations these two people would have....but it resonates. So I posted it.
too tired for a more in-depth analysis, but there you go; i'm a guy ;)